Secret Cinema 28 Days later
“Danny worked with us on Secret Cinemas’s production of 28 days later. Based on the Creative Director’s and Creative teams brief, he created an original score for our immersive production of the classic Danny Boyle horror. Not only was Danny a pleasure to work with, quick in turning around content and implementing feedback, the final score was an incredible work of music which really contributed to the success of the event” Andrea Moccia - Producer at Secret Cinema
“I’ve had the pleasure of working with Danny on two Secret Cinema productions now. The technical ability and passion he has for both his music and sound design are incredible. Given a task he can turn it around quickly, creatively and is a true professional and artist. I can’t recommend him enough” Emmet O’Donnel - Head Sound Designer at Secret Cinema.
Super Sharp Reloaded - Exhibition - Selfridges
“I worked with Danny on an exhibition I curated at Selfridges with Saul Milton (Chase & Status), and he was able to realise our vision creating amazing soundscapes that brought the exhibition to life. I highly recommend him!” Tort Turk - Indipendent Exhibition Curator.
“I employed Danny as a Sound Designer on One Strange Rock after a recommendation from an editor. Danny turned out to be one of the best appointments we made. His sound work really improved the series. I have since employed him to score a short film and once again his enthusiasm and thoughtful dedication improved the film immensely. On top of that he’s a really nice bloke” Glen Barden - Series producer at Nutopia.
“I worked closely with Danny on the Genesis episode of One Strange Rock. He was a complete star. The brief was to bring both natural wonder sequences and micro-world VFX sequences to life in an intriguing, magical and immersive way. He did an absolutely barnstorming job. He was fast, inventive, creative, surprising and quick to make changes if needed. He scored giant waterfalls, horror-disco spider hunts, magical glowing caves, jungle-growth time lapses, travels inside DNA and a 2001-esque birth of the first living cell. Every sequence he touched he made better and brought a fantastic quality to it. He was also a joy to work withIf I could, I would work with him on every project I do! Oliver Twinch - Producer Director at Atlantic Productions.
“I’ve been working with Danny as a Sound Designer for about 6 years and he has immeasurably added to every project we have worked together on. He produces bespoke and imaginative sounds and soundscapes that are totally unique and he is a pleasure to collaborate with. Two highlights for me were the incredible sounds he created for a sequence inside a Tokamak fusion reactor and the effects for an animation sequence that were pitched to work seamlessly with the music….. a little bit of genius” Nic stacey - Director/Producer/Writer
“I have had the pleasure of working with Danny on a couple of projects this year as a Composer. I can’t recommend Danny highly enough, he is great to work with and the quality of work he delivered massively added value to the films. Needless to say, but his work was always on time and to budget.” Digby Oldridge - PR Eye Ltd.
“I worked with Danny on Inside Britain’s Benefit Revolution, a 3x60’ BBC2 series filmed over the summer of 2019. He provided us with a great number of really strong, creative and unique tracks and sound-beds. He delivered a real variety, from bold music that gave us scope and scale, to quite personal and delicate scores that helped elevate emotion in a clever and nuanced way. He worked quickly and tenaciously and I would definitely work with him again” Tom Swingler - Series Producer BBC Current Affairs